












Born in Krania, Grevena in 1964, he studied at the Zossimea Teachers’ Academy of Ioannina (1982-1984) and then at the Thessaloniki School of Fine Arts (1984-1989) under Vangelis Dimitreas. In his early works the drawing and the composition dominate, with colour in a complementary role. The human figure is mostly absent while there are clear references to land (fields, terrain landscape) and the vague horizon of the sea. His influences come from the plains of Thessaly and the landscapes of Mount Athos. In his compositions he introduces upright landscapes unlike the traditional, horizontally orientated layout. In the 2000s he starts to propose wall-mounted constructions and installations with aluminium, neon light, fluorescent lamps and Plexiglas, with the added writing reinforcing the image as well as alluding to an archetypal form of communication. Yet he continues to practise painting, using it —like the written word— to convey emotions, charge his viewers and bring them into a game where life converses with death and art with technology. His most recent series — Migrations (2012), . In my country (2014) and Geographies (2017)— comprise installations, photographic material and painting and examine the journey of refugees while making clear references to Greece in her time of crisis. He has had over 20 solo exhibitions in Greece and Cyprus and has participated in dozens of group exhibitions in Greece and abroad (Britain, France, Spain, China, Germany, Italy, Belgium, Bulgaria, etc.). he has designed stage sets and costumes for the theatre, and teaches in secondary education and the paining workshops of the Municipality of Trikala. His works can be found in the Macedonian Museum of Contemporary Art, the Larissa Centre for Contemporary Art, the Gallery of Komotini, the Tsitsanis Museum in Trikala, in public spaces as well as in several private collections.
“Difficult Conversations”
Curated by Christoforos Marinos
13.12.2022 – 14.01.2023
VIEW







STERGIOS STAMOS
Stergios Stamos
Untitled, 2013
Acrylics, pencils on paper
50 x 35 cm
Stergios Stamos
Untitled, 2013
Acrylics, pencils on paper
50 x 35 cm
Stergios Stamos
Untitled, 2013
Acrylics, pencils on paper
50 x 35 cm
Stergios Stamos
CARPE DIEM QUAM MINIMUM
CREDULA POSTERO, 2022
Fibran, glues, acrylic 190 x 57 x 52 cm
Stergios Stamos
«Σεντόνι», 1996-1998-2022
Oil on canvas
180 x 150 cm
Stergios Stamos
«Αναδόμηση», 2021
Iron
97 x 90 x 65 cm
Stergios Stamos
“Untitled”, 2005-2022
Mixed media on canvas
60 x 60 cm
Stergios Stamos
«Ασφυξία με χαλαρό γόρδιο δεσμό»
2004-2022
Mixed media on canvas
80 x 80 cm
Stergios Stamos
¨Ξέρω τώρα. Δεν ελπίζω τίποτα,
δεν φοβάμαι τίποτα, λυτρώθηκα από το νου κι από την καρδιά,
ανέβηκα πιο πάνω, είμαι λεύτερος¨ Ν.Καζαντζάκης,
2022
Mixed media on canvas 80 x 80 cm
Stergios Stamos
Δεν υπάρχει αρχή, δεν υπάρχει τέλος.
Υπάρχει η τωρινή τούτη στιγμή
Ν.Καζαντζάκης,
2022
Mixed media on canvas 80 x 80 cm
Stergios Stamos
«Μαύρο πτηνό σε ασταθή ισορροπία», 2022
Mixed media on canvas
100 x 150 cm
Stergios Stamos
«Απεγκλωβισμός», 2017-2022
Mixed media on canvas
100 x 180 cm
Stergios Stamos
«Ζευγάρι σε ατέρμονο ορίζοντα» 2001- 2022
Mixed media on canvas
190 x 240 cm
Stergios Stamos
“Untitled”, 2022
Iron, cement, transformer, light
160 x 85 x 70 cm
Stergios Stamos
“Untitled”, 2021
Acrylics, pencils on paper
35 x 50 cm
Stergios Stamos
«Ανώμαλη προσγείωση», 2022
Iron
80 x 80 x 35 cm
Born in Krania, Grevena in 1964, he studied at the Zossimea Teachers’ Academy of Ioannina (1982-1984) and then at the Thessaloniki School of Fine Arts (1984-1989) under Vangelis Dimitreas. In his early works the drawing and the composition dominate, with colour in a complementary role. The human figure is mostly absent while there are clear references to land (fields, terrain landscape) and the vague horizon of the sea. His influences come from the plains of Thessaly and the landscapes of Mount Athos. In his compositions he introduces upright landscapes unlike the traditional, horizontally orientated layout. In the 2000s he starts to propose wall-mounted constructions and installations with aluminium, neon light, fluorescent lamps and Plexiglas, with the added writing reinforcing the image as well as alluding to an archetypal form of communication. Yet he continues to practise painting, using it —like the written word— to convey emotions, charge his viewers and bring them into a game where life converses with death and art with technology. His most recent series — Migrations (2012), . In my country (2014) and Geographies (2017)— comprise installations, photographic material and painting and examine the journey of refugees while making clear references to Greece in her time of crisis. He has had over 20 solo exhibitions in Greece and Cyprus and has participated in dozens of group exhibitions in Greece and abroad (Britain, France, Spain, China, Germany, Italy, Belgium, Bulgaria, etc.). he has designed stage sets and costumes for the theatre, and teaches in secondary education and the paining workshops of the Municipality of Trikala. His works can be found in the Macedonian Museum of Contemporary Art, the Larissa Centre for Contemporary Art, the Gallery of Komotini, the Tsitsanis Museum in Trikala, in public spaces as well as in several private collections.